photo LA Frog
Thursday, April 19, 2012
Friday, February 3, 2012
Thursday, February 2, 2012
Monday, January 23, 2012
Breakfasts From Around The Wolrd
Interesting post by Travelin' Local on The word's favorite breakfasts. Aren't we French pathetic with our morning café-croissant? No.Sunday, January 22, 2012
The New French Underground
Thursday, November 24, 2011
Monday, November 21, 2011
Defining Free Speech
As I complete the United States' naturalization process, current events keep colliding with the very foundations of American history and democracy -- blurring the vision and discourse.In its excellent Quick Civic Lessons for the Naturalization Test and Citizen's Almanac booklets, both distributed free to aspiring citizens, the USCIS defines what America stands for, what its values are, and what it means to become a U.S. citizen -- stressing the importance of free speech, free assembly, and citizens' participation in their democracy.
Some of the 100 Civics Test questions are particularly eloquent:
- Q2. What does the Constitution do? Official answers include: Protect the basic rights of Americans -- such as:
- Q6. What is one right or freedom from the First Amendment? Official answers include: Speech; Assembly.
- Q51. What are two rights of everyone living in the United States? Official answers include: Freedom of expression; Freedom of speech; Freedom of assembly.
- Q55. What are two ways that Americans can participate in their democracy? Official answers include: Join a civic group; Join a community group; Give an elected official an opinion on an issue; Publicly support or oppose an issue or policy.
Yet, every single day since Occupy Wall Street started a little over two months ago, the news is flush with stories of those very notions of free expression, speech and assembly being trampled on. Just two days ago, students staging a peaceful protest where hosed with pepper spray vermin-busting style -- and that's just one story among many others, as if the Arab Spring, and repression, became the blueprint.
So, what does it actually mean? Is it only a Kool-Aid aspiration? Who gets to define free speech and assembly, government of and for the people, community involvement, and representative democracy? More importantly, where does the line get drawn?
image: Wayne Tilcock/The Davis Enterprise
Monday, October 31, 2011
Sunday, October 2, 2011
Wednesday, August 31, 2011
On The Salton Sea
Saturday, August 13, 2011
Tuesday, August 2, 2011
L.A.: An Ephemeral City
"Los Angeles is an ephemeral city, with a history of ramshackle studios, temporary stagings and artworks that go into books and museums yet but all disappear from the landscape."
Monday, August 1, 2011
Define Patriotism
Monday, July 18, 2011
There's Commute & Commute
Sunday, July 17, 2011
We ♥ Carmageddon
UPDATE 07/18/11: Carmageddon: We Won [Kevin Roderick/KCRW]
UPDATE 07/18/11: Dining on the 405 [Curbed LA]
UPDATE 07/18/11: Real Lessons of Carmageddon: Angelenos Aren’t Idiots [LASreetsBlog]
Wednesday, July 13, 2011
Monday, July 11, 2011
Totally Skateboardable Home


French skateboarder and Etnies honcho Pierre-André Senizergues created the ultimate dude dream for his new Malibu abode: a totally skateboardable house -- all curves, grooves, and flow. Even the Architects' Newspaper's Sam Lubell fell for it.UPDATE 07/21/11: The challenges of building a house/ramp hybrid [NYT]
images via Etnies
Saturday, July 9, 2011
That Creamy Object Of Desire
What makes a perfect cheesecake? New York Times' food critic Melissa Clarke shares her tips, but the real answer is in this mouth-watering photo by Andrew Scrivani.Friday, July 8, 2011
When Locals Matter
As highlighted in Urban Land's The New Geography of International Retail Development, glitter is not the answer, even in emerging markets such as the BRIC or Dubai. Why? Because, unless they serve local demand -- "hypermarts and smaller shops rather than Gucci" -- they don't work, especially in this economic climate. Developers all over are rediscovering the virtues of catering for the middle class, "with more affordable retail choices that serve the local demand," a focus on "community, place and [civic] pride," and projects "designed to reflect the social and cultural life of the local society."
Our little Santa Monica is a case in point. In an effort to revitalize its downtown, the City signed off chunks of land to a corporation charged with the redevelopment and management of what is now called the Third Street Promenade. Public space was privatized and turned into a retail mix that caters essentially to tourists and visitors, with chi-chi stores that don't meet local needs. The adjacent Santa Monica Place mall was also recently revamped into luxury boutiques and high-end restaurants. Conclusion? Locals have shunned the area. They don't have a choice: they can't afford, or even find what they need in town (how about schlepping all the way to Culver City or WeHo for the nearest Target store?)
But now, Santa Monica wants its locals back. As reported in the SMDP, the downtown area is being re-branded, with a new "Everyone's Downtown" slogan aimed at letting people know that "Downtown is the place to be and that it is open to everyone, [with] an overhaul of events and activities held on the promenade and throughout the district to change the perception of it as simply a mall or tourist trap [...] By attracting locals, the district hopes to create an authentic Santa Monica experience that will feel natural and be more interesting to tourists that come to visit." That's a first step, even if this revived interest in locals seems to be as mere gimmicks.
The next step may be coming from a SMMirror report that sales in the new Santa Monica Place are not meeting expectations. Even with 6.5 million visitors per year (vs. a population of 85,000,) there are only so many Vuitton bag one can sell in a day, yet there will always be a need for a good shoe or watch repair, or affordable food, clothing and home fare for all -- a need that is not adequately met. Santa Monica has been so busy puffing itself into a high-end international resort and "lifestyle hub" that it's forgotten all about its locals and true character. Now may be a good time for a reality check.
Thursday, July 7, 2011
Paris Illusion
Wednesday, July 6, 2011
The Scent Of L.A.
"L.A. smells like blooming citrus trees, rosebushes, iris, jasmine everywhere. [It] has the slightly disturbing smell of homeless people and the perfume used in detergents. You use heavier stuff, in higher concentrations. L.A. also smells of fat and sugar -- the cheap donuts served at my hotel." Sweet, exotic, slightly putrid; add a whiff of MSG and car exhaust, topple with a thin marine layer, et voilà!
Tuesday, July 5, 2011
Monday, July 4, 2011
Summer Into Fall
America The Romantic
On this 4th of July, here is beautiful letter by Bernard De Voto to a fellow historian who had been accused of being too romantic about American history -- via The Economist:"Ours is a story mad with the impossible, it is by chaos out of dream and it has continued as dream down to the last headlines you read in a newspaper. And of our dream there are two things above all others to be said, that only madmen could have dreamed them or would have dared to -- and that we have shown a considerable faculty for making them come true."
photo LA Frog
Sunday, July 3, 2011
Dancing With Wheelchairs
Axis Dance Company, scheduled to play in L.A. this weekend, seeks to alter perceptions about physical disabilities through superb choregraphies. Review and clip here.Wednesday, June 29, 2011
Tuesday, June 28, 2011
Guinguette Revival
Guinguettes, the open-air dance halls of France's Belle Epoque immortalized by the Impressionists, "are finding new fans in a fast-paced modern world," writes Devorah Lauter in the LA Times."In their heyday, hundreds of guinguettes were perched along the banks of the slow rivers that loop through the Parisian countryside [..] They were magnets for young, working-class people who were drawn by the low prices, fresh air, cheery accordion music and hourglass-shaped women flirting in their Sunday best. Pierre Auguste Renoir famously painted one of his favorite guinguettes in Le Déjeûner des Canotiers."
Though in a more contemporary format, today's guinguettes attract crowds for the same, simple pleasures: dancing in good company, cheap fried fish meals on checkered table cloths, and a relaxed, cheerful setting rooted in quainter times. "It reminds us of the films, and our grandparents. It was another time then. A friendlier time," says a guinguette enthusiast.
photo Devorah Lauter/LAT
Monday, June 27, 2011
The (Lost) Art Of Reading

"In the 21st century, our dystopias imagine a world where books are forgotten," writes Johann Hari in an Op-Ed for the Independent. "The book -- the physical paper book -- is being circled by a shoal of sharks, with sales down 9 per cent this year alone. It's being chewed by the e-book. It's being gored by the death of the bookshop and the library. And most importantly, the mental space it occupied is being eroded by the thousand Weapons of Mass Distraction that surround us all. It's hard to admit, but we all sense it: it is becoming almost physically harder to read books."
"It's precisely because it is not immediate -- because it doesn't know what happened five minutes ago in Kazakhstan, or in Charlie Sheen's apartment -- that the book matters," Hari adds. Like sugar or alcohol, the web brings amazing pleasures and joys, "but we need to know how to handle them without letting them addle us," he concludes -- proning a digital (detox) diet. So it's time to wrap up this post, kiss the iMac good night, grab a good book, and prendre son envol (as the title of Aurida Rouha's photo above suggests.)
Sunday, June 26, 2011
Summer SOULstice




What a glorious day! After weeks of mood-altering June gloom, this Sunday started/ended with de saison warm, blue skies. Might as well: L.A. was celebrating Summer all around town -- including in Santa Monica, with the Summer SOULstice festival on Main Street.Saturday, June 25, 2011
Sunday, June 19, 2011
Molière In The Canyons
"Outdoors and inspired" (per the website tagline) best summarizes last night's Tartuffe at The Will Geer Theatricum Botanicum. Set in the wilderness of Topanga Canyon, the Theatricum is a unique arts and theater place, with an open-air amphitheater oozing hippie-zen vibes, and a bunch of actors concocting awesome theatrical events on shoestring budgets, carrying on the theater's founding legacy of unimpeded, joyful creativity. Tartuffe in such a setting felt like a match made in heaven. As LAist writes in its review of the play, "The Botanicum space is expansive, with hillside walkways, cultivated gardens and plenty of picnic room in front of the concession stand. Beyond that, the gently sloping walk gives rise to a wide wooden stage and a two-level playhouse sitting squarely stage left. Seating pushes up and away from the stage in a series of benches and bleachers before giving in to the woodland beyond the lights. This, here, with the chandelier dangling from the wise old tree at the back of the stage, is where Tartuffe belongs."
With plenty of room for Molière's signature quid pro quos and other buffoonish outbursts, "The space, as open as it is, lets the whole production breathe and simply play. Characters enter and exit in all manner, using corners and pathways that help blend the landscape into the show."
Kudos to Ellen Geer for her excellent adaptation of the play (unimpeded indeed,) and to Aaron Hendry as a larger than life Tartuffe in this timeless critique of human character. A thoroughly enjoyable evening, with lots of laughter and action.
Wednesday, June 15, 2011
Capturing Paris' Energy


Using the multiple exposure technique, photographer Edouardo Mortec captured the intense energy and magic of Paris' street crowds -- to dizzying effect. More images here.images Edouardo Mortec
Sunday, June 12, 2011
Venice Beach Defaced
Worse: the Venice Beachhead reports that local councilman Bill Rosendhal recently endorsed a L.A. Parks Foundation plan "to raise money for city parks maintenance and operations by selling space to 'corporate sponsors.' The Venice Beach part of the plan called for 200 signs on an 8-block stretch of the Boardwalk -- a total sign area of 10,000 square feet, or the equivalent of 15 full-size billboards."
Now, that's a whopper. The State of California may be in dire financial straits, claiming parks as one of its many victims, but this proposal is stretching the concept of public-private partnership beyond the limits of the socially and visually acceptable. The arrogance of power over the public interest, as BanBillboardblight calls it -- making a quick buck at the public's expense. With arrogance comes a false sense of impunity, leading to lazy thinking and silly ideas. Public-private partnerships are an excellent tool when government fails, but not on such preposterous terms.
Wednesday, June 8, 2011
Beauty Culture




The Annenberg Space for Photography is treating us to another fascinating, schizophrenic experience, with its new exhibit Beauty Culture: a celebration yet indictment of beauty diktats; gorgeous yet disturbing images; desires yet denunciations. The show "provides a seminal examination of photography’s role in capturing and defining notions of modern female beauty and how these images profoundly influence our lives in both celebratory and disturbing ways."Reviews: Photo Exhibition Challenges Media's Standards of Beauty | Photo Induced | LA Times | Kids (Teens) Off The Couch.
photos 1+3Tyen/2 Orlan/4Google/5Susan Anderson/6Martin Schoeller/7Lauren Greenfield
Saturday, June 4, 2011
Friday, June 3, 2011
Techno Beach
Tuesday, May 31, 2011
Freeways As L.A. Metaphor
As part of his Reading L.A. series, LAT architectural critic Christopher Hawthorne delved into David Brodsky's book L.A. Freeway: An Appreciative Essay. Though published 20 years ago, the book could not be more contemporary. As Hawthorne writes, "As far as polarizing subjects in Los Angeles go, freeways have long ranked near the top" -- gas guzzling sore thumbs for some, freedom symbols for others."The freeways keeps us cocooned in our cars, within sight of yet apart from our fellow citizens," writes Brodsky. "Protected by the detached single-family home and private automobile, the Angeleno can maintain his/her daily life remarkably free of intrusion. Thus Los Angeles is able to maintain its facade as a garden patch of urban villages, a metropolitan small town, without ever compromising the anonymity that is a hallmark of city life."
L.A. freeways' vital role as a backbone to local life is best illustrated in the upcoming closure of the 405 in July, from the 10 to 101 freeways. Nicknamed "Carmageddon," this local end-of-the-world event has the local community all freaked out and preparing for what's already regarded as a disaster -- from Metro offering free subway and extra bus rides, to local businesses and museums shutting down. Residents are also advised to stay home and listen to the news. Paul Haggis' movie Crash could not have portrayed the Gestalt better.
UPDATE 06/02/11: 405 shutdown will be "heard around the world"
UPDATE 06/08/11: Carmageddon in AP + SMDP
photo via Google Images
Sunday, May 29, 2011
Saturday, May 28, 2011
Paris Arrondissements Explained
Thursday, May 26, 2011
Pushing 3-D Video Boundaries @ SMMOA
Marco Brambilla's The Dark Lining exhibit at the Santa Museum of Art could be regarded as underwhelming, if not for its 3-D baroque videos Civilization and Evolution. As Holly Willis writes in LA Weekly, "Hollywood has embraced 3-D again, with blockbusters from Avatar to the latest Pirates of the Caribbean, and more directors are trying to use the technology to create a new language of cinema. But what about 3-D in the art world?"Brambilla brilliantly addresses that question, creating a stylized 3-D experience, "To comment on the vacuity and interchangeability of so many contemporary movies," writes Willis, but also as a critique of today's superficial, destructive society. "There is no emotional connection," says Brambilla, "There is no narrative arc. There is no character development. None of the kind of formulas that would go into making a feature film are applied here. It's more associative."
UPDATE 05/30/11: Working on multiple dimensions [LAT]
UPDATE 06/07/11: In a Dark Room. Intoxicated. [KCRW Art Talk]






















